Happy first week of June everyone! We’re half way through 2015, and I hope you are all doing well
I wanted to share with you a recent experience I had with a rather EXPENSIVE piece of camera gear, a medium format, $30,000.00 Phase One, 50+ Megapixel (MP)camera! Yes, $30,000.00, the price of a decent car, like a Honda Accord or Toyota Camry. $30,000.00!!!
In my ongoing effort to better my lighting and photography skills, I signed up for a day long fashion photography class with Jodi Jones, a renowned fashion photographer based out of New York. Jodi is such a cool person and her work rocks as well! Definitely check out her website. During the workshop, we went over various lighting examples, and her approach to fashion photography which made for a fun day of learning. But the piece de resistance, was the opportunity to work with the Phase One camera with two models hired for the workshop.
Now, for those of you who know me, I am totally against Gear Acquisition Syndrome (G.A.S.), but the chance to work with a true high end, uber-pro level camera is something that I didn’t want to pass up.
The difference between a medium format camera and a full frame camera is essentially the sensor size. “Full frame” DSLRs have sensors that are the exact dimensions of a single 35mm roll film photo (36mm x 24mm), whereas a medium-format sensor (or equivalent film size) is 6 x 4.5 cm, which is roughly DOUBLE the size of 35mm/full frame cameras. Along with that extra sensor real estate, you can get so much more pixel depth and information, thus, are able to crop in super tight, and/or enlarge to billboard size without any problems. In short, you get GORGEOUS files – well, gorgeous if properly made that is.
Sure, a 50+ MP will also take up a lot of hard drive space, but if you need the quality and depth, and are shooting huge campaigns (and already have a nice car), then hey, buy the Phase One. (Disclaimer – I’m not sponsored by them, but I WISH!)
So, couple a great camera system, an awesome fashion photographer instructor (with an equally cool assistant by the name of Adam), throw in two gorgeous models, and voila, you can’t take a bad photo! Okay, you CAN take a bad photo, but why?!!!
Here are some behind the scenes looks of the day, including a photo I took with the Phase One. Enjoy!
Jodi (with camera) and assistant Adam with one of the models we worked with that day.
Jodi again with another model and additional lighting set-up
One of our lighting set-ups. It looks more complicated than it really is.
Here it is, the photo I was able to take using the Phase One. I downscaled it just so you can see it without having to wait too long for it to download (50 MP can take a LONG time to download. If you’re truly interested, I can share it with you via FTP)
This is straight out of the camera, using just one beauty dish, and a profoto light. BTS up above.
There you have it. My day with a $30K camera. Did I mention that it was a THIRTY THOUSAND dollar camera?! Needless to say, I don’t need a Phase One, nor will I ever consider buying it, but as with a lot of things in life, there are some jobs that require special “tools” and the Phase One is one awesome tool to play with.
Thanks to Jodi Jones, Adam, Quixote Studios, and the two models for a great day!
Thanks for stopping by!